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Nizami Ganjavi

Middle Eastern, Persian and Hebrew Literature

Nizami Ganjavi was a twelfth-century poet from the city of Ganja in the South Caucasus, today in Azerbaijan, and is regarded as the greatest romantic epic poet in Persian literature. He brought a colloquial and realistic style to the Persian epic and wrote in the double-rhymed masnavi form. His best known work is the Khamsa, also called the Panj Ganj or Five Treasures, a set of five long narrative poems that includes Khosrow and Shirin, Layla and Majnun, and the Book of Alexander. He avoided court life though he dedicated his poems to regional rulers, and little is known about his life beyond what his own verse reveals. His poems were later copied and illustrated in lavish manuscripts at the Persian and Mughal courts, and his heritage is claimed with pride in Iran, Azerbaijan, Afghanistan and Tajikistan.

Facts
Birth Year
1141 1
Death Year
1209 1
Form Mostly Written
Poem 1
Best-Known Work
Khamsa (Panj Ganj) 1
Connections

In Genre

Epic, Genres
Source Nizami Ganjavi (Wikipedia)
Source Nizami Ganjavi (Wikipedia)

Influenced By

Sanai, Authors
Source Nizami Ganjavi (Wikipedia)
In the Other Atlases

Original Language

Also in Language Atlas: the original language of this subject.

Source Nizami Ganjavi (Wikipedia)Lead, language
Quote, Lead, language
greatest romantic epic poet in Persian literature
Sources
1. Nizami Ganjavi (Wikipedia)
  • Lead, birth year
    c. 1141-1209
  • Lead, death year
    c. 1141-1209
  • The Khamsa or Panj Ganj, main form
    a set of five long narrative poems known as the Khamsa
  • The Khamsa or Panj Ganj, best-known work
    a set of five long narrative poems known as the Khamsa
  • Lead, language
    greatest romantic epic poet in Persian literature
  • In Genre: Epic, Lead, genre epic
    greatest romantic epic poet in Persian literature
  • In Genre: Narrative Poetry, The Khamsa or Panj Ganj, genre narrative poetry
    a set of five long narrative poems known as the Khamsa
  • Influenced By: Sanai, The Khamsa or Panj Ganj, Makhzan-ol-Asrar
    was influenced by Sanai's (d. 1131) monumental Garden of Truth
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