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Ngugi wa Thiong'o
en-GOO-gee wah tee-ONG-oh
Also Known As James Ngugi
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Ngugi wa Thiong'o was a Kenyan novelist, playwright and essayist, a major figure in Postcolonial Literature alongside Chinua Achebe. His first novel, Weep Not, Child (1964), was among the first English-language novels published by an East African writer. In the 1970s he changed his name from the baptismal James Ngugi and, announced most fully in the essay collection Decolonising the Mind (1986), turned from writing in English to writing first in his native Gikuyu, arguing that language choice was itself a decolonizing act rather than a neutral vehicle. He was imprisoned without trial by the Kenyan government in 1977 and 1978 after co-writing a Gikuyu-language play, and wrote his novel Devil on the Cross on prison toilet paper during that detention.
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The Name He Chose
This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
Ngugi wa Thiong'o published his first novels, including Weep Not, Child (1964), under the baptismal name James Ngugi that he had been given in a mission school. In the 1970s he rejected that name as a marker of colonial and Christian imposition, adopting Ngugi wa Thiong'o, his given Gikuyu name, and the change accompanied a broader turn in his thinking, laid out fully in the essay collection Decolonising the Mind (1986), toward writing fiction and drama first in Gikuyu rather than English, treating language itself as a site where colonialism's effects had to be undone.
A Novel Written on Toilet Paper
This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
In late 1977, the Kenyan government detained Ngugi wa Thiong'o without trial for about a year, after he co-wrote a Gikuyu language play, Ngaahika Ndeenda (I Will Marry When I Want), that was seen as a direct critique of the ruling party and postcolonial inequality. In detention at Kamiti Maximum Security Prison, denied writing paper, Ngugi wrote his novel Devil on the Cross on sheets of prison issued toilet paper, composing it in Gikuyu, the language he had committed to writing in going forward. The novel was published after his release and is often cited as the clearest example of his conviction that language choice was itself an act of resistance.
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Major figure in Postcolonial Literature alongside Achebe; his turn from English to writing in Gikuyu, argued in Decolonising the Mind (1986), made language choice itself part of the field's central debate.
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