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Waiting for Godot

Also Known As En attendant Godot Original French title, first published and performed under this title before Beckett's own English translation.

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A tragicomedy in two acts by the Irish playwright Samuel Beckett, written in French between 1948 and 1949 as En attendant Godot, first published in 1952 and first performed in Paris in January 1953. Two tramps, Vladimir and Estragon, wait beside a bare tree for a man named Godot who never arrives, filling the time with vaudeville routines, quarrels and reconciliations while the master Pozzo and his servant Lucky pass through twice. Beckett resisted allegorical readings of the absent Godot, later telling an actor that he regretted the name for the theological associations it invited, and insisted the play's meaning lay in its own bleak comedy rather than any hidden key. In a 1998 poll conducted by London's Royal National Theatre, it was voted the most significant English-language play of the twentieth century, and it remains Beckett's best-known work.

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Composed, From (Year)
1948 to 1949 1
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1. Waiting for Godot (Wikipedia)
Wikimedia Foundation (Wikipedia)Lead, second sentence
Quote, Lead, second sentence
It was written (1948-1949), first published (1952), and first performed (1953) in French as En attendant Godot.
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1. Waiting for Godot (Wikipedia)
Wikimedia Foundation (Wikipedia)Lead, 1998 poll
Quote, Lead, 1998 poll
In a public poll conducted by London's Royal National Theatre in the year 1998, Waiting for Godot was voted as 'the most significant English-language play of the 20th century.'
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1. Waiting for Godot (Wikipedia)
Wikimedia Foundation (Wikipedia)Authored By: Samuel Beckett, Lead, first sentence
Quote, Authored By: Samuel Beckett, Lead, first sentence
Waiting for Godot is a play by Irish playwright and author Samuel Beckett.
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1. Waiting for Godot (Wikipedia)
Wikimedia Foundation (Wikipedia)In Genre: Tragicomedy, Lead, subtitle
Quote, In Genre: Tragicomedy, Lead, subtitle
Subtitled 'tragicomedy in two acts', it is his best-known literary work and is regarded by critics as 'one of the most enigmatic plays of modern literature'.
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