A Colombian novelist and journalist, the writer most closely associated with magical realism and, through the international success of One Hundred Years of Solitude, the figure who brought Latin American fiction to a global readership on an unprecedented scale. Raised largely by his grandparents in the small Colombian town of Aracataca, he later said their household, his grandmother's matter-of-fact way of relating supernatural family stories alongside ordinary ones, was the direct source of the narrative voice he developed in his fiction. He was awarded the Nobel Prize in Literature in 1982.
Facts
AwardNobel Prize in Literature 2 Connections
In Genre
Source The Norton Anthology of World Literature
In Movement
Corrected from associated to holds: the movement's own description names him its defining figure, not merely an affiliated writer.
Source The Norton Anthology of World Literature
Garcia Marquez is named as the figure most closely associated with bringing magical realism into vogue within the Boom, via One Hundred Years of Solitude (1967).
Source Latin American Boom (Wikipedia)
Works Attributed
Source The Norton Anthology of World Literature
Sources
1. Encyclopaedia Britannica
2. Gabriel Garcia Marquez (Wikipedia)
Infobox, birth_date
1927-03-06
Infobox, death_date
2014-04-17
Lead section
the 1982 Nobel Prize in Literature
View the SourceThe Norton Anthology of World Literature
W. W. Norton & Company
Latin American Boom (Wikipedia)
In Movement: The Latin American Boom, s.v. Latin American Boom, Connection to Magical RealismView the Source Frequently Asked Questions
What did the Nobel committee cite when awarding Gabriel Garcia Marquez the Nobel Prize in Literature?
For novels and stories blending the fantastic and the realistic to reflect a continent's life and conflicts.
The Swedish Academy awarded him the 1982 Nobel Prize in Literature for his novels and short stories, in which the fantastic and the realistic are combined in a richly composed world of imagination, reflecting a continent's life and conflicts.
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