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Grazia Deledda

Italian Literature

Grazia Deledda (1871 to 1936) was an Italian writer awarded the Nobel Prize for Literature in 1926 for writing the Nobel committee described as idealistically inspired, portraying with plastic clarity the life of her native Sardinia and treating human problems generally with depth and sympathy. She was the first Italian woman to receive the prize and only the second woman of any nationality to win it, after Selma Lagerlof in 1909.

Facts
Birth Year
1871 1
Birth Date
1871-09-27 1
Death Year
1936 1
Death Date
1936-08-15 1
Award
Nobel Prize in Literature 1
Classification
Original Language
French 1
Original Language
Italian 1
FAQs

How did Grazia Deledda begin publishing?

She sent a short story to a fashion magazine, then published her first novel in 1892 and had her first real success with Elias Portolu in 1903.

In the autobiographical note she wrote for the Nobel Prize, Grazia Deledda says she did not know where to take her stories, found a fashion magazine, sent off a short story, and saw it published immediately. Her first novel, Fior di Sardegna (Flower of Sardinia, 1892), went to an editor in Rome, who published it with considerable success. She names Elias Portolu (1903) as her first real success.
Connections

In Genre

The Novel, Genres

In Movement

Verismo, Movements
In the Other Atlases

Original Language

Also in Language Atlas: the original language of this subject.

Also in Language Atlas: the original language of this subject.

Nationality

Also in Geography Atlas: the nationality of this subject.

Sources
1. Wikipedia: Grazia Deledda
  • Infobox, birth_date
    1871-09-27
  • Infobox, death_date
    1936-08-15
  • Lead, first sentence
    27 September 1871
  • Biography
    La chiesa della solitudine (The Church of Solitude, 1936)
  • Infobox, awards
    Nobel Prize in Literature 1926
  • Original language statement
    Grazia Deledda (1871 to 1936) was an Italian writer awarded the Nobel Prize for Literature in 1926 for writing the Nobel committee described as idealistically inspired, portraying with plastic clarity the life of her native Sardinia and treating human problems generally with depth and sympathy.
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