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Noh

Dramatic Genres

Noh is a major form of classical Japanese dance-drama that has been performed since the fourteenth century, making it Japan's oldest major theatrical art still regularly performed today. Noh plays are typically based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story, and the form integrates masks, costumes and stage properties within a dance-based performance requiring highly trained actors and musicians. Emotion is conveyed chiefly through stylized, conventional gestures, while the tradition's iconic masks represent specific roles such as ghosts, women, deities and demons, and the whole art is highly codified and regulated by the iemoto system of hereditary schools, emphasizing tradition over innovation. The broader category nogaku encompasses both Noh and the comic kyogen plays traditionally interspersed between Noh plays in a full program, though today an abbreviated program of two Noh plays with one kyogen piece is more common.

Facts
Place of Origin
Japan, where Noh developed out of the earlier sarugaku performance tradition in the mid-fourteenth century. 1
Notable Example
Matsukaze (The Wind in the Pines), a third-category woman's-mode Noh play by Kan'ami, later revised by Zeami Motokiyo. 2
Defining Trait
Emotion in Noh is conveyed mainly through stylized, conventional gesture rather than facial expression, with the tradition's iconic masks representing fixed roles such as ghosts, women, deities and demons. 1
Connections

Form Of Genre

Drama, Genres
Sources
1. Noh (Wikipedia)
Wikimedia Foundation (Wikipedia)
  • Lead section
    Noh refers to the historical genre of theatre that originated from sarugaku in the mid 14th century
  • Characteristics section
    Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons.
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2. Matsukaze (Wikipedia)
Wikimedia Foundation (Wikipedia)Lead sentence
Quote, Lead sentence
Matsukaze (松風, Wind in the Pines) is a play of the third category, the woman's mode, by Kan'ami, revised by Zeami Motokiyo.
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