This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
Scholars trace the qasida's origins to the Najd region of the Arabian peninsula in the early sixth century, likely first flourishing at the Lakhmid court of al-Hira before Islam existed to carry it anywhere. Islam's spread carried it everywhere. Persian poets adopted the form and stretched it well past panegyric; Nasir Khusraw, an eleventh-century Persian poet, used the qasida for philosophical and religious argument, a use the form's original tribal boast could hardly have anticipated. Urdu poets took the form in a different direction again, writing qasidas as panegyric addressed to patrons but also, distinctively, as satire. The form did not stop at the edges of the Persian and Urdu-speaking world either: versions of the qasida structure are attested in Bengali, Somali and Indonesian literatures, each local tradition keeping the tripartite shape, nasib, rahil, fakhr, while filling it with its own imagery and its own patrons to praise. Few poetic forms in this atlas travel as far from their point of origin while keeping as much of their original structure intact as the qasida does.