This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.
The frame narrative's most famous demonstration is also its most literal: a story about storytelling used to postpone a death. In One Thousand and One Nights, the sultan Shahriyar, convinced of women's faithlessness after his own wife's betrayal, marries a new wife each night and has her executed the next morning, until Scheherazade volunteers herself and begins telling him a story on their wedding night, one she deliberately leaves unfinished at dawn so that the sultan, wanting to hear its end, postpones her execution another day. The device repeats for what tradition counts as a thousand and one nights, each night's cliffhanger buying Scheherazade another day of life and folding a new tale, sometimes several tales nested within each other, into the frame. The technique this collection made famous, an outer story that exists to organize and motivate an unlimited number of inner ones, is what scholars mean by a frame narrative in its first and clearest sense: not decoration around a single story but the engine that lets many stories be told as one.