A Room of One's Own is an extended essay by the English writer Virginia Woolf, published in 1929 and based on two lectures she delivered at women's colleges at Cambridge in 1928, addressing the question of women and fiction through the fictionalized voice of a narrator, Woolf's own semi-autobiographical persona, who is barred from a university library and reflects instead on the material conditions that have historically prevented women from writing. The essay's central argument, that a woman must have money and a room of her own if she is to write fiction, builds through Woolf's invented example of Shakespeare's equally gifted but unrecorded and unsupported sister Judith to argue that women's historical absence from the literary canon reflects denied opportunity and economic dependence rather than any lack of talent. Woolf surveys the scarcity of women novelists before the nineteenth century and the achievement of figures such as Jane Austen and the Bronte sisters against these constraints, arguing for financial independence and private space as preconditions, rather than talent alone, for women's creative and intellectual work. Widely regarded as a foundational text of feminist literary criticism, A Room of One's Own remains one of the most influential essays on gender, economics and authorship written in English.
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What do the five hundred a year and the lock on the door stand for in A Room of One's Own?
From the text of A Room of One's Own by Virginia Woolf, as published by Project Gutenberg Australia: Next I think that you may object that in all this I have made too much of the importance of material things. Even allowing a generous margin for symbolism, that five hundred a year stands for the power to contemplate, that a lock on the door means the power to think for oneself, still you may say that the mind should rise above such things; and that great poets have often been poor men.
Are the narrator and the colleges in A Room of One's Own real?
From the text of A Room of One's Own by Virginia Woolf, as published by Project Gutenberg Australia: I need not say that what I am about to describe has no existence; Oxbridge is an invention; so is Fernham; 'I' is only a convenient term for somebody who has no real being. Lies will flow from my lips, but there may perhaps be some truth mixed up with them; it is for you to seek out this truth and to decide whether any part of it is worth keeping.
Does Woolf suggest that the anonymous poets of folk song were women?
From the text of A Room of One's Own by Virginia Woolf, as published by Project Gutenberg Australia: Indeed, I would venture to guess that Anon, who wrote so many poems without singing them, was often a woman. It was a woman Edward Fitzgerald, I think, suggested who made the ballads and the folk-songs, crooning them to her children, beguiling her spinning with them, or the length of the winter's night.
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Source Wikipedia: A Room of One's Own
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WikipediaLead
A Room of One's Own is an extended essay by Virginia Woolf, first published in 1929.
Lead paragraph
A Room of One's Own is an extended essay by Virginia Woolf, first published in 1929. Divided into six chapters, the work is based on two lectures Woolf delivered in October 1928 at two women's colleges, Newnham College and Girton College, of the University of Cambridge.
In Genre: Nonfiction Prose, Lead section
A Room of One's Own is an extended essay by Virginia Woolf, first published in 1929.
Authored By: Virginia Woolf, Lead section
A Room of One's Own is an extended essay by Virginia Woolf, first published in 1929.
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