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Slipstream Fiction

Speculative and Fantastic Fiction

Slipstream is a literary genre or category of speculative fiction that blends science fiction, fantasy and literary fiction, or that otherwise does not remain within the conventional boundaries of genre and narrative. It directly extends the experimentation of the New Wave science fiction movement while also drawing on fantasy, psychological fiction, philosophical fiction and other literary genres and styles. Historical examples of the genre were partially codified in the anthology Feeling Very Strange: The Slipstream Anthology, and contemporary examples include Peaces by Helen Oyeyemi, The Dangers of Smoking in Bed by Mariana Enriquez, and The Butterfly Lampshade by Aimee Bender.

Facts
Place of Origin
United States; the term was coined by Richard Dorsett according to Bruce Sterling, who first described it in print in SF Eye issue 5, in July 1989. 1
Notable Example
Feeling Very Strange: The Slipstream Anthology (2006), edited by James Patrick Kelly and John Kessel, which partially codified historical examples of the genre; contemporary examples include Peaces by Helen Oyeyemi. 1
Defining Trait
A literary genre or category of speculative fiction that blends science fiction, fantasy and literary fiction, or that otherwise does not remain within the conventional boundaries of genre and narrative. 1
Connections

Form Of Genre

In the Other Atlases
Sources
1. Slipstream Fiction (Wikipedia)
Wikipedia
  • Lead section
    Slipstream is a literary genre or category of speculative fiction that blends together science fiction, fantasy, and literary fiction, or otherwise does not remain within conventional boundaries of genre and narrative.
  • Lead section, second paragraph
    Historical examples of the genre were partially codified in Feeling Very Strange: The Slipstream Anthology. Contemporary examples include Peaces by Helen Oyeyemi, The Dangers of Smoking in Bed by Mariana Enríquez, and The Butterfly Lampshade by Aimee Bender.
  • 'Origin' section
    Sterling later described it in an article originally published in SF Eye #5, in July 1989, as "a kind of writing which simply makes you feel very strange; the way that living in the twentieth century makes you feel, if you are a person of a certain sensibility."
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