Mangal-Kavya, literally poems of benediction, is a genre of Bengali religious narrative poetry composed roughly between the thirteenth and eighteenth centuries, recounting the stories of indigenous deities of rural Bengal within the social setting of the Middle Ages. These deities are largely absent from classical Hindu literature, and the genre synthesizes Vedic elements with popular Bengali folk tradition, drawing an affinity to the cosmogonic hymns of the Rigveda while portraying its divine figures with human qualities, including flaws and emotions. Composed in the simple, rhyming payar couplet meter for oral performance and village recitation, and often sung as devotional bhajans during deity festivals, the genre divides into three principal categories, Manasa Mangal, Chandi Mangal and Dharma Mangal, alongside minor variants such as Kalika Mangal and Sitala Mangal.
Facts
Place of Origin Notable ExampleManasamangal (Manasa Mangal) 1 Defining TraitWritten mostly in simple payar couplets 1 In the Other Atlases
Originated In
Also in Geography Atlas: where this subject originated.
Source Mangal-Kavya - WikipediaLead paragraphQuote, Lead paragraph
narratives of indigenous deities of rural Bengal
Sources
1. Mangal-Kavya - Wikipedia
Section Poems, first paragraph
These deities were based on indigenous to Bengal (like
Section Kavya, first paragraph
Manasamangal being the most famous.
Section Characteristics
They are written for the most part in the simple payar meter, a couplet form with the
In Group: Sacred and Courtly Narrative of South and Southeast Asia, Lead paragraph
notably consisting of narratives of indigenous deities of rural Bengal
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