Peking opera, or Beijing opera, is the dominant form of Chinese opera, combining instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty and became fully developed and recognized by the mid-nineteenth century, extremely popular in the Qing court and regarded as one of the cultural treasures of China; major performance troupes are based in Beijing, Tianjin and Shanghai, and the form is also preserved in Taiwan, where it is known as Guoju, as well as spreading to regions including the United States and Japan.
Facts
Place of OriginBeijing, arising in the mid-Qing dynasty and fully developed by the mid-19th century. 1 Notable ExampleThe Drunken Concubine, named among the ten masterpieces of the traditional Peking opera repertoire. 1 Defining TraitThe dominant form of Chinese opera, combining instrumental music, vocal performance, mime, martial arts, dance and acrobatics into one stage art. 1 FAQs
What are the four main role types in Peking opera?
The four role types are sheng, dan, jing and chou.
Peking opera features four main role types: sheng, the main male role; dan, which covers female roles; jing, a painted face male role; and chou, the clown. Troupes often have several performers of each variety, as well as many secondary and tertiary performers.
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Also in Geography Atlas: where this subject originated.
Sources
1. Peking Opera (Wikipedia)
Wikimedia Foundationlead section, second sentence
It arose in Beijing in the mid-Qing dynasty (1644-1912) and became fully developed and recognized by the mid-19th century.
lead section, first sentence
is the dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics.
Repertoire section
10 masterpieces of the traditional Peking opera repertoire are The Drunken Concubine, Monkey King
In Group: Folk and Regional Theatre Traditions, Lead section
Peking opera, or Beijing opera (simplified Chinese: 京剧; traditional Chinese: 京劇; pinyin: Jīngjù), is the dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics.
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